The New Jersey theater critics are loving our production!
Rick Busciglio gave us 5 stars: “first-rate theatre”; “masterfully directed”; “a perfect cast”; “an acting master class”; “Sedgwick is perfect as the alcoholic failed actor” – Examiner.com
“Josie … is perfectly embodied by Claire Warden”; “her often drunken father, played by the wonderful Paul Carlin”; “James Tyrone (David Sedgwick) … convincingly unburdens his fears and secrets” – Lori Sender, New Jersey News Room
“The bittersweet affection among the play’s characters and their surrender to their own faults and fates build to heartrending effect”; “Warden’s transformation … makes the show so affecting”; “scenes between Sedgwick and Warden are engrossing” – Ronnie Reich, The Star-Ledger
There’s still time to see the show! – 2 more weeks to go. Tickets and info here.
“A Moon for the Misbegotten” at Luna Stage; photo by Steven Lawler
I’m very excited to be working on my first full production of a Eugene O’Neill play; I’m currently rehearsing the iconic role of Jim Tyrone in this classic of the American canon.
Working with a wonderful cast and director; I can’t wait to open at Luna Stage in New Jersey on April 13th…!
I was very pleased to be asked again to act as dialect/accent coach for another Australian Made Entertainment production, Andrew Bovell’s haunting play “Speaking in Tongues”. This time the cast is small, only 4, and 3 of them are Aussies, so I helped the sole American blend in. Michael Poignand has done a great job, and his work was complimented in the glowing Backstage review!
Continuing my new sideline in accent and dialect coaching, I’m very proud to be working on Dogface Theatrical’s inaugural production of “Savage in Limbo”. Who knew Australians like myself were such experts on Shanley-an Bronx accents?
After several gigs as dialect coach with the Seeing Place Theater, I’m very pleased to be working with a new theatre company, Australian Made Entertainment, on their inaugural production of Louis Nowra’s Aussie classic “Così”. The number of American actors playing Australian characters is so great that we have TWO dialect coaches!
Gertrude Stein’s ‘Brewsie and Willie’, the independent feature I was thrilled to work on last year, is nearing release. A Kickstarter campaign to fund the remaining post-production costs is underway here.
I’m very excited to have signed with Bernard F. Bunye of Brownstone Entertainment Management.
Bernard is a highly-motivated businessperson, and I’m looking forward to working with him and Brownstone.
March 9th to March 25th, 2012:
Currently playing the unhappily married and straying Colonel Vershinin in Brian Friel’s version of Chekhov’s masterpiece “Three Sisters” with the Seeing Place Theater.
Opening Friday March 9th at 7.30pm.
Tickets available here.
*** UPDATE *** – some reviews are up:
“Daniela Thome is statuesque yet vulnerable as Olga and David Sedqwick charms as Vershinin. In fact, the tete a tete between Thome and Sedgwick as the show is nearing its end is the strongest moment of the performance.” – Joseph Samuel Wright, TheaterOnline.com.
“The strength of this company is in its actors…The romantic frisson between Erin Cronican and David Sedgwick is palpable and intense.” – W.Kenton, CulturalCapitol.com.
“A nod of recognition should also be given to standouts Brian Byus, David Sedgwick, and Justin Kress… Sedgwick’s Vershinin maintained a certain level of understated comedy throughout a good portion of the piece with a subtle humor that was much appreciated” – Christian Leadley, TimesSquare.com.
Performed in my first independent feature, a unique adaptation of the Gertrude Stein novella, “Brewsie and Willie”, directed by Rosalind Morris. I played an American G.I. in post-World War II France.
(‘Gertrude Stein’s Brewsie and Willie,’ directed by Rosalind Morris, Director of Photography, Milton Kam, Set Design Susan Zeeman Rogers, Lighting by Rocco de Villiers.)
September 26 to October 9, 2011:
Played an Australian lawyer in Seeing Place Theater’s world premiere production, “Scotch Kiss”.