(‘Gertrude Stein’s Brewsie and Willie,’ directed by Rosalind Morris, Director of Photography, Milton Kam, Set Design Susan Zeeman Rogers, Lighting by Rocco de [...]]]> Performed in my first independent feature, a unique adaptation of the Gertrude Stein novella, “Brewsie and Willie”, directed by Rosalind Morris. I played an American G.I. in post-World War II France.

(‘Gertrude Stein’s Brewsie and Willie,’ directed by Rosalind Morris, Director of Photography, Milton Kam, Set Design Susan Zeeman Rogers, Lighting by Rocco de Villiers.)

Played an Australian lawyer in Seeing Place Theater’s world premiere production, “Scotch Kiss”.

2011 Theatrical Reel

2011 Commercial Reel

Enjoy!

I play a philandering businessman in 1960s New York in this bittersweet love story.

This is a rough draft of a combination theatrical/commercial reel showcasing some of the work I’ve done since coming to New York.

I’ve been a fan of their work for a while, so I’m psyched about this show!

I’m playing the cantankerous father of a WWII-era New York family in this very funny comedy.

Tickets available through Ovation.

The company’s name comes from the Greek word theatron (“seeing/watching place”) from which we get “theatre”, and their ethos is that the audience should see events and relationships that are happening on stage, rather than being represented. So we are [...]]]> I’m very excited to be playing Orsino in a unique production of Shakespeare’s “Twelfth Night”.

The company’s name comes from the Greek word theatron (“seeing/watching place”) from which we get “theatre”, and their ethos is that the audience should see events and relationships that are happening on stage, rather than being represented. So we are striving to be very simple and honest in our performances.

It should be a little different from the Shakespearean productions you’ve seen before…!

Tickets available through SmartTix.

Directed by Rebecca Hengstenberg, and with a great cast, it’s a series of four vignettes relating to journalists and the dangers and challenges they face. I’m fortunate to be in two of the four pieces, playing [...]]]> Today is the opening of our 5-show (Fringe Festival limit) run of Glenda Frank’s new play “The Fourth Estate”.

Directed by Rebecca Hengstenberg, and with a great cast, it’s a series of four vignettes relating to journalists and the dangers and challenges they face. I’m fortunate to be in two of the four pieces, playing an American editor and an Irish editor.

So, dialects a-hoy!

Follow the link above to buy tickets. See you at the show!

*UPDATE* – glowing review on nytheatre.com: “The cast is often top-notch, particularly Dennis Gagomiros and David Sedgwick, who give exceptionally grounded, gritty performances. Sedgwick plays two seemingly similar characters equally as compelling and believable with a subtlety that gives each their own inner life.”