“Dear Ruth” with Retro Productions:
“Cunningham and Sedgwick nicely convey a long-married pair who are still amused by and sexually interested in one another.” (backstage.com)
“Heather E. Cunningham and David Sedgwick make an absolutely charming parental unit…” (Big Vision, Empty Wallet)
“Twelfth Night” with Seeing Place Theater:
“As Orsino, the gentle and dignified-looking David Sedgwick does not only embody the respectability which his role requires; he is also a highly effective actor.” (bestofoffbroadway.com)
“What the Butler Saw” at Gallery Players:
“David Sedgwick’s Dr. Prentice is very good at convincingly working on his feet to get himself out of jam after jam. You want to feel sorry for him but can’t, because his rapidly degenerating situation is too amusing to want to repair.” (nytheatre.com)
“The Fourth Estate” at NY Fringe Festival 2010:
“…excellent performers … the cast is often top-notch, particularly Dennis Gagomiros and David Sedgwick, who give exceptionally grounded, gritty performances. Sedgwick plays two seemingly similar characters equally as compelling and believable with a subtl[et]y that gives each their own inner life. It’s a satisfying pleasure to see such acting skill … exceptional writing and acting.” (nytheatre.com)
“Mr. Sensitivity” at NY Fringe Festival 2009:
“…laugh-out-loud funny…Slinkard’s and Sedgwick’s repartee is among the play’s highlights.” (Show Business Weekly)
“Shining City” at Shadow Lawn Stage:
“…Sedgwick’s is an effective, understated performance… More is acted than spoken – and acted very well. … first-rate Theatre.” (Two River Times)
“Darkness to Light” at 12 Miles West:
“David Sedgwick is superb as the composer, shifting from recollections of an abused childhood to fame and fortune to his devastating loss of hearing.” (Independent Press)
“A Wedding Story” at Stageworks/Hudson:
“Sedgwick, as Robin, displays glorious comic timing.” (The Daily Gazette)