{"id":6,"date":"2009-02-15T03:56:22","date_gmt":"2009-02-15T03:56:22","guid":{"rendered":"http:\/\/davesedg.wordpress.com\/?page_id=6"},"modified":"2019-10-13T21:34:19","modified_gmt":"2019-10-14T04:34:19","slug":"resume","status":"publish","type":"page","link":"https:\/\/www.davidsedgwick.com\/wordpress\/resume","title":{"rendered":"R\u00e9sum\u00e9"},"content":{"rendered":"

Complete r\u00e9sum\u00e9 on Breakdown Services<\/a>.
\nDownload one-page r\u00e9sum\u00e9 (PDF) here<\/a>.<\/p>\n

TELEVISION<\/span><\/strong><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n
CRIMINAL MINDS<\/a><\/td>\nDouglas Carmichael<\/span><\/td>\n(co-star)<\/td>\nCBS Television\/
\nGlenn Kershaw<\/span><\/td>\n<\/tr>\n
THE KNICK<\/a><\/td>\nMr. Horner<\/span><\/td>\n(guest star)<\/td>\nAnonymous Content\/Steven Soderbergh<\/span><\/td>\n<\/tr>\n
ORANGE IS THE NEW BLACK<\/a><\/td>\nDr. Eric Spiegelman<\/span><\/td>\n(guest star)<\/td>\nLady Prison Productions\/Uta Briesewitz<\/span><\/td>\n<\/tr>\n
THE BLACKLIST<\/a><\/td>\nAnchor<\/span><\/td>\n(co-star)<\/td>\nSony Pictures Television\/Joe Carnahan<\/span><\/td>\n<\/tr>\n
ONE LIFE TO LIVE<\/td>\nZ-Box Guy<\/span><\/td>\n(Under-5)<\/td>\nABC Television<\/span><\/td>\n<\/tr>\n
AS THE WORLD TURNS<\/td>\nHotel Guest<\/span><\/td>\n(Under-5)<\/td>\nCBS Television<\/span><\/td>\n<\/tr>\n
ALL MY CHILDREN<\/td>\nPit Boss<\/span><\/td>\n(Under-5 recurring)<\/td>\nABC Television<\/span><\/td>\n<\/tr>\n
ALL MY CHILDREN<\/td>\nDesk Clerk<\/span><\/td>\n(Under-5)<\/td>\nABC Television<\/span><\/td>\n<\/tr>\n
OHTOMO SORIN<\/td>\nFather Kabral<\/span><\/td>\n(co-star)<\/td>\nNHK Television, Japan<\/span><\/td>\n<\/tr>\n
BIG SKY<\/td>\nRon<\/span><\/td>\n(co-star)<\/td>\nNetwork Ten, Australia<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

FILM<\/span><\/strong><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n
MALICE<\/a><\/td>\nOren<\/span><\/td>\n(lead)<\/td>\nDaniel Autry<\/span><\/td>\n<\/tr>\n
INVISIBLE INK<\/a><\/td>\nJim Roper<\/span><\/td>\n(supporting)<\/td>\nNate Neal<\/a><\/span><\/td>\n<\/tr>\n
DEVOUR<\/a><\/td>\nChris Zuckerman<\/span><\/td>\n(supporting)<\/td>\nMalik Conard-Sow<\/span><\/td>\n<\/tr>\n
GERTRUDE STEIN’S BREWSIE AND WILLIE<\/a><\/td>\nBrock<\/span><\/td>\n(supporting)<\/td>\nRosalind Morris<\/a><\/span><\/td>\n<\/tr>\n
THE WAY OF JUSTICE<\/a><\/td>\nJacob Cooper<\/span><\/td>\n(lead)<\/td>\nEmily Peck<\/span><\/td>\n<\/tr>\n
IN THE DARK<\/td>\nMichael<\/span><\/td>\n(lead)<\/td>\nTom Knight<\/span><\/td>\n<\/tr>\n
ZOMBIE PRESIDENTS<\/td>\nJFK<\/span><\/td>\n(supporting)<\/td>\nDana Cacciatore<\/span><\/td>\n<\/tr>\n
MOMENTS OF CLARITY<\/td>\nExecutive Client<\/span><\/td>\n(supporting)<\/td>\nKelvin Rush<\/span><\/td>\n<\/tr>\n
MIRROR, MIRROR<\/a><\/td>\nDavid<\/span><\/td>\n(supporting)<\/td>\nValerie Champagne<\/a><\/span><\/td>\n<\/tr>\n
LIVING ON A PRAYER<\/td>\nTed Benson<\/span><\/td>\n(lead)<\/td>\nPaul DeKams<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

STAGE<\/span><\/strong><\/h3>\n
REGIONAL THEATRE<\/span><\/strong><\/h5>\n\n\n\n\n\n\n\n\n
PRIDE AND PREJUDICE<\/td>\nMr. Gardiner<\/span><\/td>\nBaltimore Center Stage<\/a><\/td>\nHana S. Sharif<\/span><\/td>\n<\/tr>\n
THE BEAUTY QUEEN OF LEENANE<\/td>\nPato Dooley<\/span><\/td>\nShakespeare & Company<\/a><\/td>\nMatthew Penn<\/span><\/td>\n<\/tr>\n
A MOON FOR THE MISBEGOTTEN<\/a><\/td>\nJim Tyrone <\/span><\/td>\nLuna Stage<\/a><\/td>\nNancy Robillard<\/span><\/td>\n<\/tr>\n
SHINING CITY<\/td>\nIan<\/span><\/td>\nShadow Lawn Stage<\/a><\/td>\nNicole Ricciardi<\/span><\/td>\n<\/tr>\n
DARKNESS TO LIGHT<\/td>\nBeethoven<\/span><\/td>\n12 Miles West<\/a><\/td>\nLenny Bart<\/span><\/td>\n<\/tr>\n
A WEDDING STORY<\/td>\nRobin<\/span><\/td>\nStageworks\/Hudson<\/a><\/td>\nLaura Margolis<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
NEW YORK THEATRE<\/span><\/strong><\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HAMLET<\/td>\nVoltemand\/Player; Claudius (u\/s)<\/span><\/td>\nPearl Theatre<\/a><\/td>\nShepard Sobel<\/span><\/td>\n<\/tr>\n
JAY AND RUBY GET RELIGION<\/a><\/td>\nPastor Kai<\/span><\/td>\nSimpson & Longthorne Theatricals<\/a><\/td>\nJim Shankman<\/span><\/td>\n<\/tr>\n
THE CLUB<\/a><\/td>\nLaurie Holden<\/span><\/td>\nAustralian Made Entertainment<\/a><\/td>\nAndrew H. Lyons<\/span><\/td>\n<\/tr>\n
THREE SISTERS<\/a><\/td>\nVershinin<\/span><\/td>\nSeeing Place Theater<\/a><\/td>\nBrandon Walker<\/span><\/td>\n<\/tr>\n
SCOTCH KISS<\/a><\/td>\nRobert Cook<\/span><\/td>\nSeeing Place Theater<\/a><\/td>\nReesa Graham<\/span><\/td>\n<\/tr>\n
TELEPHONE CALL FOR FRANCINE STEIN<\/td>\nTed Horan<\/span><\/td>\nWorkshop Theater Company<\/a><\/td>\nBrad Malow<\/a><\/td>\n<\/tr>\n
STANDARDS OF DECENCY 3<\/a><\/td>\nMan\/Classmate\/Phaedrus<\/span><\/td>\nBlue Coyote Theater Group<\/a><\/td>\nRobert Buckwalter, Gary Shrader<\/span><\/td>\n<\/tr>\n
DEAR RUTH<\/td>\nJudge Harry Wilkins<\/span><\/td>\nRetro Productions<\/a><\/td>\nRichard Roland<\/span><\/td>\n<\/tr>\n
TWELFTH NIGHT<\/a><\/td>\nOrsino<\/span><\/td>\nSeeing Place Theater<\/a><\/td>\nBrandon Walker<\/span><\/td>\n<\/tr>\n
WHAT THE BUTLER SAW<\/a><\/td>\nDr. Prentice<\/span><\/td>\nGallery Players<\/a><\/td>\nZac Hoogendyk<\/span><\/td>\n<\/tr>\n
THE FOURTH ESTATE<\/td>\nJoe Bernard\/Seamus O’Grady<\/span><\/td>\nNY International Fringe Festival<\/a><\/td>\nRebecca Hengstenberg<\/a><\/td>\n<\/tr>\n
LOYALTIES<\/td>\nCharles Winsor<\/span><\/td>\nUnity Stage Company<\/a><\/td>\nSofia Landon Geier<\/span><\/td>\n<\/tr>\n
MR. SENSITIVITY<\/a><\/td>\nGrady Lawrence<\/span><\/td>\nNY International Fringe Festival<\/a><\/td>\nDavid Baecker<\/span><\/td>\n<\/tr>\n
THE MUSHROOM PICKERS<\/a><\/td>\nTom McElroy<\/span><\/td>\nAlloy Theater Co.<\/a><\/td>\nHondo Weiss-Richmond<\/span><\/td>\n<\/tr>\n
MISALLIANCE<\/a><\/td>\nJoseph Percival<\/span><\/td>\nNew York Classical Theatre<\/a><\/td>\nStephen Burdman<\/span><\/td>\n<\/tr>\n
THE BISHOP AND THE BOYS<\/td>\nEamon Clare<\/span><\/td>\nAmerican Theatre of Actors<\/a><\/td>\nDiane Cossa-Platt<\/span><\/td>\n<\/tr>\n
AS YOU LIKE IT<\/td>\nOliver<\/span><\/td>\nReduxion Theatre Co.<\/a><\/td>\nErin Anderson<\/span><\/td>\n<\/tr>\n
SCHOOL FOR WIVES<\/td>\nHorace (u\/s)<\/span><\/td>\nPearl Theatre<\/a><\/td>\nShepard Sobel<\/span><\/td>\n<\/tr>\n
ARMS AND THE MAN<\/td>\nRussian Officer; Sergius (u\/s)<\/span><\/td>\nPearl Theatre<\/a><\/td>\nGus Kaikkonen<\/span><\/td>\n<\/tr>\n
PROBLEM PARENTS<\/td>\nRalph<\/span><\/td>\nATA<\/a><\/td>\nJames Jennings<\/span><\/td>\n<\/tr>\n
KING LEAR<\/a><\/td>\nOswald<\/span><\/td>\nBoomerang Theatre Co.<\/a><\/td>\nPhilip Emeott<\/span><\/td>\n<\/tr>\n
TAMPONVILLE<\/td>\nJason<\/span><\/td>\nBad Musicals Festival, NY Artists Unlimited<\/a><\/td>\nHans Friedrichs<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
INTERNATIONAL THEATRE<\/span><\/strong><\/h5>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
ARCADIA<\/td>\nBernard Nightingale<\/span><\/td>\nTokyo International Players<\/a><\/td>\nConor Hanratty<\/span><\/td>\n<\/tr>\n
LES LIAISONS DANGEREUSES<\/td>\nAzolan<\/span><\/td>\nTokyo International Players<\/a><\/td>\nJames McInnes<\/span><\/td>\n<\/tr>\n
CINDERELLA<\/td>\nThe Queen<\/span><\/td>\nTokyo Theatre for Children<\/td>\nJohn Owens<\/span><\/td>\n<\/tr>\n
A DOLL’S HOUSE<\/td>\nTorvald Helmer<\/span><\/td>\nTokyo International Players<\/a><\/td>\nRobert Tsonos<\/span><\/td>\n<\/tr>\n
MACBETH<\/td>\nMacduff<\/span><\/td>\nRising Sun Theatre<\/td>\nDwayne Lawler<\/span><\/td>\n<\/tr>\n
FIDDLER ON THE ROOF<\/td>\nYussel<\/span><\/td>\nTokyo International Players<\/a><\/td>\nLenne Hardt<\/span><\/td>\n<\/tr>\n
RED RIDING HOOD<\/td>\nPrince Florizel<\/span><\/td>\nTokyo Theatre for Children<\/td>\nGerri Sorrells<\/span><\/td>\n<\/tr>\n
TRUE WEST<\/td>\nSaul Kimmer<\/span><\/td>\nSometimes Y Theatre\/ White Monkey Productions<\/a><\/td>\nDavid Neale<\/span><\/td>\n<\/tr>\n
DIAL M FOR MURDER<\/td>\nRoger\/Pendelton\/O’Brien<\/span><\/td>\nTokyo International Players<\/a><\/td>\nRobert Tsonos<\/span><\/td>\n<\/tr>\n
WHAT THE BUTLER SAW<\/td>\nNicolas Beckett<\/span><\/td>\nTokyo International Players<\/a><\/td>\nLeslie de Giere<\/span><\/td>\n<\/tr>\n
AMADEUS<\/td>\nVenticello 1<\/span><\/td>\nTokyo International Players<\/a><\/td>\nJohn Owens<\/span><\/td>\n<\/tr>\n
CONRAD KNOWLES<\/td>\nConrad Knowles<\/span><\/td>\nSydney Art Theatre<\/td>\nBogdan Koca<\/span><\/td>\n<\/tr>\n
REALITY NUMBER SIX<\/td>\nHarlequin<\/span><\/td>\nSydney Art Theatre<\/td>\nBogdan Koca<\/span><\/td>\n<\/tr>\n
CRIME AND PUNISHMENT<\/td>\nLushin (Puddlesen)<\/span><\/td>\nSydney Art Theatre<\/td>\nRostislav Orel<\/span><\/td>\n<\/tr>\n
MR. PAUL<\/td>\nHerr Schwarzbeck<\/span><\/td>\nSydney Art Theatre<\/td>\nBogdan Koca<\/span><\/td>\n<\/tr>\n
FLYING SAUCERY<\/td>\nJoe<\/span><\/td>\nThe Independent Theatre<\/td>\n<\/td>\n<\/tr>\n
RED ROSES & PETROL<\/td>\nTom\/Young Edna<\/span><\/td>\nAisteoiri Productions<\/td>\n<\/td>\n<\/tr>\n
ROMEO & JULIET<\/td>\nParis<\/span><\/td>\nCelebrational Theatre<\/td>\n<\/td>\n<\/tr>\n
THE FEMALE FACTORY<\/td>\nMr. Jordan<\/span><\/td>\nTheatre Nepean<\/td>\nTerence Clarke<\/span><\/td>\n<\/tr>\n
ALL SOULS<\/td>\nJoe<\/span><\/td>\nTheatre Nepean<\/td>\nAnna Volska<\/span><\/td>\n<\/tr>\n
MRS. DALLOWAY<\/td>\nSeptimus Warren-Smith<\/span><\/td>\nStables Theatre<\/td>\n<\/td>\n<\/tr>\n
EDWARD III<\/td>\nRobert of Artois<\/span><\/td>\nNew Theatre<\/td>\n<\/td>\n<\/tr>\n
THE SEASON AT SARSAPARILLA<\/td>\nVoice of Masson<\/span><\/td>\nTheatre Nepean<\/td>\nBogdan Koca<\/span><\/td>\n<\/tr>\n
TWELFTH NIGHT<\/td>\nSir Toby Belch<\/span><\/td>\nTheatre Nepean<\/td>\nBabs McMillan<\/span><\/td>\n<\/tr>\n
SHIP OF FOOLS<\/td>\nPlayer<\/span><\/td>\nWTTI Festival, Turkey<\/td>\nGordon Beattie<\/span><\/td>\n<\/tr>\n
HENRY V<\/td>\nFalstaff\/King of France<\/span><\/td>\nAustralian Theatre for Young People<\/a><\/td>\nAntoinette Blaxland<\/span><\/td>\n<\/tr>\n
A MIDSUMMER NIGHT’S DREAM<\/td>\nBottom<\/span><\/td>\nAustralian Theatre for Young People<\/a><\/td>\nChris Canute<\/span><\/td>\n<\/tr>\n
THE FLIES<\/td>\nZeus<\/span><\/td>\nWilloughby Youth Theatre<\/td>\nAnnie Marlow<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

TRAINING<\/span><\/strong><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/tr>\n
University<\/em><\/td>\nBFA (Performance) at Theatre Nepean, University of Western Sydney<\/strong><\/td>\n<\/tr>\n
>>>>>>><\/span><\/td>\n<\/tr>\n
New York<\/em><\/td>\nPrimary Stages School of Theater<\/strong>, “Approaching TV Acting” with Casey Childs, Steven Williford, David & Linda Laundra<\/td>\n<\/tr>\n
<\/td>\nPrimary Stages School of Theater<\/strong>, Scene Study with Casey Childs<\/td>\n<\/tr>\n
<\/td>\nLAByrinth Theater Company<\/strong>, Master Class with David Deblinger, John Gould Rubin, Stephen Adly Guirgis<\/td>\n<\/tr>\n
<\/td>\nT.Schreiber Studio<\/strong>, On-Camera Commercial Class with Angela Montalbano<\/td>\n<\/tr>\n
<\/td>\nT.Schreiber Studio<\/strong>, On Camera II with Peter Miner<\/td>\n<\/tr>\n
>>>>>>><\/span><\/td>\n<\/tr>\n
Other<\/em><\/td>\nPractical Aesthetics with Robert Bella at Practical Aesthetics Australia<\/em>; Singing, Acting, Camera Technique at Australian Theatre for Young Peopl<\/em>e; Theatre Arts Certificate from Sydney East Technical College<\/td>\n<\/tr>\n
>>>>>>><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SPECIAL SKILLS<\/span><\/strong><\/h3>\n\n\n\n
Accents (Australian, standard & regional British, Cockney, Irish, regional U.S.)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
Character voices<\/td>\nSinging (baritone)<\/td>\nImprovisation<\/td>\n<\/tr>\n
Stage combat<\/td>\nSwimming<\/td>\nBody-surfing<\/td>\n<\/tr>\n
Conversational Japanese<\/td>\nU.S. green card<\/span><\/td>\nAustralian passport<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Complete r\u00e9sum\u00e9 on Breakdown Services. Download one-page r\u00e9sum\u00e9 (PDF) here.<\/p>\n

TELEVISION CRIMINAL MINDS Douglas Carmichael (co-star) CBS Television\/ Glenn Kershaw THE KNICK Mr. Horner (guest star) Anonymous Content\/Steven Soderbergh ORANGE IS THE NEW BLACK Dr. Eric Spiegelman (guest star) Lady Prison Productions\/Uta Briesewitz THE BLACKLIST Anchor (co-star) Sony Pictures Television\/Joe Carnahan ONE LIFE TO LIVE […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-6","page","type-page","status-publish","hentry","odd"],"yoast_head":"\nR\u00e9sum\u00e9 - DAVID SEDGWICK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.davidsedgwick.com\/wordpress\/resume\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9sum\u00e9 - DAVID SEDGWICK\" \/>\n<meta property=\"og:description\" content=\"Complete r\u00e9sum\u00e9 on Breakdown Services. 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